But repeated exposure to the same scales of architectural features permanently changed how we interact with buildings and the fabric of cities. Back in those days buildings were actually designed on paper! And guess what? The size of the paper (together with the scale of the drawing) determined the size of the architectural feature and effect. My visualization training included an extended dip in the world of architecture. This form of humor was completely shaped by the visualization technology but quickly spread to be a dominant form in other media as well, even reinventing the spoken joke and extending to many of those internal jokes we have with ourselves. (For a great example, snap down to ATPM’s own Cortland strip.) In short order, many jokes changed from the longer form of spoken stories to a more abstract setup in two or three steps, then the punch. One significant cusp was when the Hearst newspaper chain found it competitively convenient to package comics as the “strip,” with three or four panels. For instance, people who study humor have been able to track how the notion of a joke changed at certain key points in history. In this view, a tool can get in the way but given the same mind, what would be produced would be pretty much the same no matter the tool.īut at least so far as groups of minds, this isn’t so. Several of you have messaged me to disagree, claiming that a tool is simply good or bad. In previous columns, I’ve made my own outrageously broad claim: that the tools you use profoundly affect the way you think and work. In this column, we’ll use the term generically to apply to any graphical view of outlined material whether it is “official” or indeed whether it conforms to Buzan’s principles.īut before we look at applications, I want to take a relevant detour. Also since the 60s, “mindmapping” has found its home on the computer desktop, has merged with outlining (since both work with trees), and has evolved some new conventions not originally “invented” by Buzan. Some of the applications surveyed below have official Buzan licenses, but I could not suss out precisely which ones or exactly what it means to have a license. Since then, the Buzan organization has trademarked the term. Most of these are indefensible in retrospect. Radical claims were made for the power of this technique at the time. Use graphics and color as much as possible when using text, use simple, single words in bold lowercase because it registers in the mind more clearly.Start in the center of the board with a “root” and branch out in spreads of 5-8.It wouldn’t illuminate much anyway.Ī relevant touchstone is the work of British psychologist Tony Buzan who in the 60s coined the term “Mindmapping” for his approach to the then new technology of whiteboards and erasable markers. But that history is so twisted, diffuse, and controversial I couldn’t possibly give a meaningful summary. A few sources claim an origin in Leonardo DaVinci! As it happens, I’ve been personally involved in some of the more recent history of visual brainstorming, moreso than in the outlining branch that is the focus of ATPO. Techniques for visual brainstorming have a long and complex history, largely independent of outlining. For many users, switching between the two is a pretty powerful combination. Where outliners are graphic features added to text layout to manage concepts, mindmappers are the opposite: text features added to graphic layout. That’s where these chart views come into play. But what if I also wanted an outline of all the features of the fictional land: place names, rules history, geographic features, and such? There’s no natural linear order for something like this: in fact, it might even make sense to lay it out rather like a two-dimensional map. That makes sense if I am writing Lord of the Rings. Lists that depend on an indexing order, like the alphabet, also do well with outlining. The linear nature of outliners is also great for setting up and navigating ordered lists, including to-do lists which might be ordered by date or priority. That makes outlines a natural for authoring something that will end up being read linearly, like this column or a book. The whole thing refers to a linear flow: no matter what information you are capturing, the outline has a beginning and an end, a flow. That graphic layout is a matter of indentation, disclosure triangles, and often styles and interface icons. The kind of outliners we’ve been covering so far are essentially editors-at root, text editors-that add graphic layout.
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He is 13 and has a Twitter profile, controlled by his sprite artist, on Twitter. Features CREATE Your Universe from Microscopic to Macrocosmic: From tide pool amoebas to thriving civilizations to intergalactic starships, everything is in your hands. Mini Oz was introduced on September 3rd, 2019 in the video "r/CursedComments | Frosty The Soul Consuming Pancake". Spore: Want to Dance - PART 7 - Steam Train GameGrumps 5. Spore gives you a variety of powerful yet easy-to-use creation tools so you can create every aspect of your universe: creatures, vehicles, buildings, and even starships. (again, EA is required to give you a free copy if you own Spore on Steam). Make sure you have a free copy of Spore from an EA Help Official in your library, make sure its not installed. In reality, he is just a sprite with a TTS voice. After completing the guide, try a clean restart of your PC this could regenerate your CD key. He did an episode on r/NoahGetTheBoat, a cursed subreddit, in support of his friend The Click getting shadowbanned off of YouTube. Game Grumps on Instagram: 'NEW IN THE STORE: Copies of Ghost Hunters Adventure Club, SIGNED by legendary author, enigmatic public figure, and also totally a real uncle to Arin Hanson: Dr. Oz mainly does Reddit videos, with a few other types of videos sprinkled in. Oz Media recently celebrated hitting 500K, celebrating with a face reveal and a promise to do a special with his "assistant" and "son" Mini Oz, which is still in the works. He has since taken full accountability and apologized in the aforementioned twitter thread. Ross adds legs to his creation to make it more mobile. 'Making Friends' is the fourth episode of Spore on Steam Train. Oz revealed that he was often the middle man through manipulation (though he says even if it was manipulation it still wasn't an excuse) and would yell at Click and OT when she wanted him to. For other episodes with the same title, see Making Friends. This was revealed by Wonderstruck Guy, Oz, and The Click in a Twitter thread. They left due to Blair's verbal abuse and control. This used to include Salty the Alien, OneTopicAtATime, and The Click. Oz is in the collab channel Sad Milk, along with Blair, Damien Lee, and Wonderstruck Guy. Here's 10 Games You Should Buy Before They Disappear added by TheDarkEmpire. The two have since had a falling out they do not speak or live together and have parted ways. He lived with Iilluminaughtii, or Blair, in Colorado.
For example, a person or institution may say that an activist campaigning for change is irrational or “crazy.” Political gaslighting Racial gaslightingĪccording to an article in Politics, Group, and Identities, racial gaslighting is when people apply gaslighting techniques to an entire racial or ethnic group in order to discredit them. They may tell the person their symptoms are “in their head” or label them a hypochondriac. Medical gaslightingĪccording to the CPTSD Foundation, medical gaslighting is when a medical professional dismisses a person’s health concerns as being the product of their imagination. For example, when a child cries, they may say they are “too sensitive” to shame them and make them stop. Child-parent relationshipsĪbusive parents or caregivers may gaslight children to undermine them. For example, they might tell someone they are irrational until the person starts to think it must be true. In relationships, an abusive person may use gaslighting to isolate their partner, undermine their confidence, and make them easier to control. Gaslighting can occur in any type of interaction, but it is especially common in: Intimate relationships For example, they may say that no one will believe a woman if she reports abuse. Stereotyping: An article in the American Sociological Review says that a person may intentionally use negative stereotypes about someone’s gender, race, ethnicity, sexuality, nationality, or age to gaslight them. For example, they might say, “That is just nonsense you read on the internet. Diverting: With this technique, a person changes the focus of a discussion by questioning the other person’s credibility.They may do this by pretending to forget what happened, saying they did not do it, or blaming their behavior on someone else. Denial: Denial involves a person refusing to take responsibility for their actions.They may accuse them of being “too sensitive” or overreacting in response to valid and reasonable concerns. Trivializing: This occurs when a person belittles or disregards how someone else feels.For example, they might say, “Now you are just confusing me,” or “I do not know what you are talking about.” Withholding: This involves someone pretending they do not understand the conversation, or refusing to listen, to make a person doubt themselves.They may say things such as, “Are you sure about that? You have a bad memory,” or “I think you are forgetting what really happened.” Countering: This is when someone questions a person’s memory.According to the National Domestic Violence Hotline, gaslighting can happen in a variety of ways. The planet would conduct heat to the surface, and this would potentially result in subterrestrial lakes with hot vents, while these potentially melt the most volatile substances on top, the level of insulation spreads this out and limits it they will sublime after melting and vaporization on other areas and at the edges. Surprisingly Argon and Neon might join the club. Water would boil and sublimate (snow) on dark side.įirst if that atmospheric pressure were high enough it would rain CO2, then as the pressure fell temperature would fall and snow of carbon dioxide would coat the ice, this would be followed by methane which would eventually freeze on top of the CO2, later Ntirogen and Oxygen would rain and then freeze on the dark side. Lets argue that the moon was tidally locked with the sun, Lets go a little colder, lets look at the moon, which is heated up every 30 days on one side.Īt this distance from its stars, so called habitable zone the dark side has a basal temperature of 30K to 50K degrees. Our moon, and imperfectly locked example of a Habitable zone planet. Rain Nitrogen (Oxygen would never form because all CO2 is locked up in ice), which would transfer heat from the surface to space, and further cool down the atmosphere. No carbon dioxide on sun facing side, carbon dioxide would sublimate on the dark side. No water on the sun facing side, all Water would be locked in ice on the dark side and at poles. Move 7/8ths of the Argon, Helium and Hydrogen to the dark side, prior to their expulsion On the dark side of mercury, whose lit side reaches 700K the temperature is average of 100K, if mercury had a primordial atmospheric it would How cold to dark sides of tidally locked planets get. However because the pressure on the exposed side is so low, stellar winds and flares will almost certainly kick the isolated gases out of the atmosphere, some will condense on the other side, others will end up speeding out to space. If there are enough of these, the planet might, over time rotate and boil them onto the other side creating a very slow rotation phenomena, but not so fast as to prevent sublimation on the slow moving side, even if life were to form it complex life would be routinely crushed my massive rolling glaciers of ice that melt and reform. At still lower temperature methane freezes, the atmospheric pressure drops further still, if the temperature falls below the triple point for nitrogen there will first be a rain of nitrogen, but as pressure drops it will start snowing essentially locking these on the cold side of the planet. If temperature falls below three, water will become locked by liquid carbon dioxide, which will be stabilized by a sea of methane. If two are below, for example carbon dioxide, the atmospheric pressure drops as CO2 accumulates in the cold spot and sublimates with circulation. If temperature falls below the temperature of one of the gases, say water, you have the formation of Ice, but the atmosphere can create a dynamic equilibrium. If major surfaces of the planet are below the triple point temperature (216.5K, 273.16 K, 90.68, 273.16 K). Bioneogenic planets start with atmospheres of CO2, Water, Methane, Nitrogen and other gases. Water, MP 272.16, BP Triple point 273.16 K, 0.61kPa, Critical point 647.096 K, 22.06 MPaīold pressures indicat the possibility for periodic liquid precipitation of the gas type as pressure falls, as pressures fall below the pressure limit, snowing of the gas. Nitrogen: Boiling point 77.355 K, Triple point 63.151 K, 12.52 kPa, Critical point 126.2 K, 3.4 MPa Helium : Boiling point 4.2 K, Lambda point 2.2 K 5.048 kPa, Critical point 5.19 K, 227 kPa Before we can discuss Tidal locking effects, we need a set of commonly agreed upon points with which one can do analysis. While the Armorer doesn’t mention who exactly did the stealing it isn’t hard to guess. According to the Armorer, the metal was likely taken during the Great Purge - also known as Order 66, Chancellor Palpatine’s directive to the clone army to kill all Jedi. While we don’t have the details in the official canon anymore, the pre-Disney “Legends” stories explained that it could only be mined on Mandalore, the home planet of the Mandalorians, or its moon, Concordia. The bar of beskar Disney Plusīeskar is extremely rare. With Beskar more rare, and many Mandalorians spread out across the galaxy, it seems that not even the Mandalorian’s armor is quite complete. The Armorer takes the bar and turns it into a new pauldron for the Mandalorian. In The Mandalorian’s first episode, we get a brief glimpse of Beskar in the form of the metal bar that the Mandalorian hands the Armorer. Beskar, also known as Mandalorian iron, is one of the toughest and rarest metals in the galaxy. The unique properties of the armor are due in large part to the Beskar metal that it’s made with. In Star Wars: Rebels, Sabine Wren’s armor is 500 years old. In some cases, the strength of the metal could lead to sets of Mandalorian armor that lasted hundreds of years. Despite this impressive protection, the armor also remains surprisingly light, allowing the wearer to remain agile and maneuverable. The armor plates themselves can withstand blaster shots, as we see in The Mandalorian, and can even protect the wearer from the glancing blow of a lightsaber - which can be seen in the Legacy of Mandalore episode of Star Wars: Rebels when Gar Saxon is disarmed. 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Speaking at Polygon’s panel at the Vox Media SXSW event The Deep End, Shankar emphasized that his recent streak of adapting games is one driven by a love for the medium and a desire to translate the work of passionate creators like Preston. “Could it be a more silent series or would we have voice acting? Considering Hyper Light was wordless, there’s an idea there of how much that would carry over to to a show.” “There’s still a question of how much dialogue we really have, if any,” Preston says. Of all the guiding light Miyazaki’s films provide, the director’s formal purity seems especially essential in these nascent moments. The films of Hayao Miyazaki and his Studio Ghibli animation studio were a major influence on Hyper Light Drifter, and should be again as Preston and Shankar conceptualize the story, and storytelling, of the series. For a series, the question is: how do you sustain and keep your attention on a non-interactive run? Does it get really, really dark and serious? Does it have some levity?”Īt this early stage, Preston says he and Shankar are “leaning a lot more towards something that’s representative of the game on the style side,” although the visuals will likely trend toward anime-esque animation rather than a straight interpretation of the game’s pixel designs. “ Hyper Light as a game was pretty atmospheric and kind of overbearing at times. “The difference between a series and a game is vast in a lot of ways,” he says. In conversation with Polygon, Preston said he and Shankar are actively reaching out to writers to lead the TV adaptation, and are still working on exactly how to translate Hyper Light Drifter’s gameplay experience to a non-interactive medium. A Nintendo Switch version arrived in September 2018. Hyper Light Drifter, developed by Preston’s indie studio Heart Machine, debuted in the spring/summer of 2016 for PC, PlayStation 4, and Xbox One. Preston confirms to Polygon that he and producer Adi Shankar, whose game adaptations include Netflix’s Castlevania and upcoming series based on Devil May Cry and Assassin’s Creed, are actively in development on an animated series based on the title. Now the game’s ready to return to screens - but this time, as a television show. Known for challenging combat, stunning pixel visuals, and a palpable, post-apocalyptic fantasy atmosphere, the world of Alx Preston’s action-RPG Hyper Light Drifter earned major praise when it arrived in 2016. |